{"id":212,"date":"2018-01-16T17:29:41","date_gmt":"2018-01-16T17:29:41","guid":{"rendered":"https:\/\/pressbooks.ulib.csuohio.edu\/charles-chesnutt\/?post_type=chapter&#038;p=212"},"modified":"2018-02-28T00:23:51","modified_gmt":"2018-02-28T00:23:51","slug":"quarry-chapter-xvi","status":"publish","type":"chapter","link":"https:\/\/pressbooks.ulib.csuohio.edu\/charles-chesnutt\/chapter\/quarry-chapter-xvi\/","title":{"rendered":"Chapter XVI"},"content":{"raw":"<pre><strong>\u00a0<\/strong>\u201c They might, at the hands of genius, like that of <a href=\"http:\/\/www.classical.net\/music\/comp.lst\/dvorak.php\"><strong>Dvorak<\/strong><\/a> or <a href=\"http:\/\/www.blackmahler.com\"><strong>Coleridge-Taylor<\/strong><\/a> furnish themes or motifs for finished work;\u201d\u00a0 <strong>(p. 136)<\/strong>\r\n\r\n<strong>\u00a0<\/strong>\u201c<strong>\u2026<\/strong>when harmonized by competent musicians like Johnson\u2026\u201d\u00a0 <strong>(p.136)<\/strong><\/pre>\r\n<div class=\"textbox\">\r\n\r\n*According to Dean McWilliams, Chesnutt may be referencing any of the three musicians mentioned here:\r\n<p style=\"text-align: center\"><a href=\"http:\/\/lcweb2.loc.gov\/diglib\/ihas\/loc.natlib.ihas.200038845\/default.html\"><strong>John Rosamond Johnson<\/strong><\/a><strong> \u2013 composer of <\/strong><a href=\"http:\/\/www.poets.org\/viewmedia.php\/prmMID\/15588\"><strong>\u201cLift Every Voice and Sing\u201d<\/strong><\/a><\/p>\r\n<p style=\"text-align: center\"><strong><a href=\"http:\/\/library.sc.edu\/spcoll\/amlit\/johnson\/johnson1.html\">\u00a0James Weldon Johnson<\/a>\u00a0<\/strong><strong>\u2013 lyricist\u00a0 of <\/strong><a href=\"http:\/\/www.poets.org\/viewmedia.php\/prmMID\/15588\"><strong>\u201cLift Every Voice and Sing\u201d<\/strong><\/a><\/p>\r\n<p style=\"text-align: center\"><a href=\"http:\/\/www.afrovoices.com\/hjohnson.html\"><strong>(Francis) Hall Johnson<\/strong><\/a><strong> \u2013 Choir Director<\/strong><\/p>\r\n\r\n<\/div>\r\n<pre><strong>\u00a0<\/strong>\u201c<strong>\u2026<\/strong> like Johnson and <a href=\"http:\/\/www.afrovoices.com\/burleigh.html\"><strong>Burleigh<\/strong><\/a>, they made admirable music for choral singing\u2026\u201d <strong>(p. 136) <\/strong>\r\n\r\n<strong>\u00a0<\/strong>\u201cHe felt, when later on he heard <a href=\"http:\/\/www.afrovoices.com\/rhayes.html\"><strong>Roland Hayes<\/strong><\/a> sing <a href=\"http:\/\/www.negrospirituals.com\/news-song\/steal_away_to_jesus.htm\"><strong>\u201cSteal Away to Jesus,<\/strong>\u201d<\/a> as he had felt when \u2026\u201d<strong>  (p. 136)<\/strong>\r\n\r\n\u201cThey saw Eugene O\u2019Neill\u2019s The Emperor Jones, with <a href=\"http:\/\/www.blackpast.org\/?q=aah\/gilpin-charles-sidney-1878-1930\"><strong>Gilpin<\/strong><\/a> in the title role, and agreed that he had the finest speaking voice of any actor on the stage.\u201d\u00a0 <strong>(p. 138) <\/strong><\/pre>\r\n<div class=\"textbox learning-objectives\">\r\n<h3>Check This Out<\/h3>\r\n<a href=\"http:\/\/www.eugeneoneill.org\/about\/aboutEON.php\">Eugene O\u2019Neill<\/a>, author and playwright\u00a0gives a summary of <a href=\"http:\/\/www.theatrehistory.com\/american\/emperor_jones.html\">\u201cThe Emperor Jones\u201d<\/a>.\r\n<\/div>\r\n<pre><strong>\u201c<\/strong>He had seen Gilpin and <a href=\"http:\/\/www.imdb.com\/name\/nm0732079\/bio\"><strong>Paul Robeson<\/strong><\/a> in The Emperor Jones and other Eugene O\u2019Neill plays, and had admired their superb acting but\u2026\u201d<strong>\u00a0 (p. 145) <\/strong><\/pre>\r\n<div class=\"textbox learning-objectives\">\r\n<h3>Check This Out<\/h3>\r\nTo hear Paul Robeson, <a href=\"https:\/\/www.youtube.com\/watch?v=gtLcELU1brA&amp;list=PLPfdNJAylOrbtGkRxo1YZOOovro2p4ksx\">click here<\/a>.\r\n\r\n<\/div>\r\n&nbsp;","rendered":"<pre><strong>\u00a0<\/strong>\u201c They might, at the hands of genius, like that of <a href=\"http:\/\/www.classical.net\/music\/comp.lst\/dvorak.php\"><strong>Dvorak<\/strong><\/a> or <a href=\"http:\/\/www.blackmahler.com\"><strong>Coleridge-Taylor<\/strong><\/a> furnish themes or motifs for finished work;\u201d\u00a0 <strong>(p. 136)<\/strong>\r\n\r\n<strong>\u00a0<\/strong>\u201c<strong>\u2026<\/strong>when harmonized by competent musicians like Johnson\u2026\u201d\u00a0 <strong>(p.136)<\/strong><\/pre>\n<div class=\"textbox\">\n<p>*According to Dean McWilliams, Chesnutt may be referencing any of the three musicians mentioned here:<\/p>\n<p style=\"text-align: center\"><a href=\"http:\/\/lcweb2.loc.gov\/diglib\/ihas\/loc.natlib.ihas.200038845\/default.html\"><strong>John Rosamond Johnson<\/strong><\/a><strong> \u2013 composer of <\/strong><a href=\"http:\/\/www.poets.org\/viewmedia.php\/prmMID\/15588\"><strong>\u201cLift Every Voice and Sing\u201d<\/strong><\/a><\/p>\n<p style=\"text-align: center\"><strong><a href=\"http:\/\/library.sc.edu\/spcoll\/amlit\/johnson\/johnson1.html\">\u00a0James Weldon Johnson<\/a>\u00a0<\/strong><strong>\u2013 lyricist\u00a0 of <\/strong><a href=\"http:\/\/www.poets.org\/viewmedia.php\/prmMID\/15588\"><strong>\u201cLift Every Voice and Sing\u201d<\/strong><\/a><\/p>\n<p style=\"text-align: center\"><a href=\"http:\/\/www.afrovoices.com\/hjohnson.html\"><strong>(Francis) Hall Johnson<\/strong><\/a><strong> \u2013 Choir Director<\/strong><\/p>\n<\/div>\n<pre><strong>\u00a0<\/strong>\u201c<strong>\u2026<\/strong> like Johnson and <a href=\"http:\/\/www.afrovoices.com\/burleigh.html\"><strong>Burleigh<\/strong><\/a>, they made admirable music for choral singing\u2026\u201d <strong>(p. 136) <\/strong>\r\n\r\n<strong>\u00a0<\/strong>\u201cHe felt, when later on he heard <a href=\"http:\/\/www.afrovoices.com\/rhayes.html\"><strong>Roland Hayes<\/strong><\/a> sing <a href=\"http:\/\/www.negrospirituals.com\/news-song\/steal_away_to_jesus.htm\"><strong>\u201cSteal Away to Jesus,<\/strong>\u201d<\/a> as he had felt when \u2026\u201d<strong>  (p. 136)<\/strong>\r\n\r\n\u201cThey saw Eugene O\u2019Neill\u2019s The Emperor Jones, with <a href=\"http:\/\/www.blackpast.org\/?q=aah\/gilpin-charles-sidney-1878-1930\"><strong>Gilpin<\/strong><\/a> in the title role, and agreed that he had the finest speaking voice of any actor on the stage.\u201d\u00a0 <strong>(p. 138) <\/strong><\/pre>\n<div class=\"textbox learning-objectives\">\n<h3>Check This Out<\/h3>\n<p><a href=\"http:\/\/www.eugeneoneill.org\/about\/aboutEON.php\">Eugene O\u2019Neill<\/a>, author and playwright\u00a0gives a summary of <a href=\"http:\/\/www.theatrehistory.com\/american\/emperor_jones.html\">\u201cThe Emperor Jones\u201d<\/a>.\n<\/div>\n<pre><strong>\u201c<\/strong>He had seen Gilpin and <a href=\"http:\/\/www.imdb.com\/name\/nm0732079\/bio\"><strong>Paul Robeson<\/strong><\/a> in The Emperor Jones and other Eugene O\u2019Neill plays, and had admired their superb acting but\u2026\u201d<strong>\u00a0 (p. 145) <\/strong><\/pre>\n<div class=\"textbox learning-objectives\">\n<h3>Check This Out<\/h3>\n<p>To hear Paul Robeson, <a href=\"https:\/\/www.youtube.com\/watch?v=gtLcELU1brA&amp;list=PLPfdNJAylOrbtGkRxo1YZOOovro2p4ksx\">click here<\/a>.<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n","protected":false},"author":74,"menu_order":16,"template":"","meta":{"pb_show_title":"on","pb_short_title":"","pb_subtitle":"","pb_authors":[],"pb_section_license":""},"chapter-type":[],"contributor":[],"license":[],"class_list":["post-212","chapter","type-chapter","status-publish","hentry"],"part":174,"_links":{"self":[{"href":"https:\/\/pressbooks.ulib.csuohio.edu\/charles-chesnutt\/wp-json\/pressbooks\/v2\/chapters\/212","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pressbooks.ulib.csuohio.edu\/charles-chesnutt\/wp-json\/pressbooks\/v2\/chapters"}],"about":[{"href":"https:\/\/pressbooks.ulib.csuohio.edu\/charles-chesnutt\/wp-json\/wp\/v2\/types\/chapter"}],"author":[{"embeddable":true,"href":"https:\/\/pressbooks.ulib.csuohio.edu\/charles-chesnutt\/wp-json\/wp\/v2\/users\/74"}],"version-history":[{"count":5,"href":"https:\/\/pressbooks.ulib.csuohio.edu\/charles-chesnutt\/wp-json\/pressbooks\/v2\/chapters\/212\/revisions"}],"predecessor-version":[{"id":291,"href":"https:\/\/pressbooks.ulib.csuohio.edu\/charles-chesnutt\/wp-json\/pressbooks\/v2\/chapters\/212\/revisions\/291"}],"part":[{"href":"https:\/\/pressbooks.ulib.csuohio.edu\/charles-chesnutt\/wp-json\/pressbooks\/v2\/parts\/174"}],"metadata":[{"href":"https:\/\/pressbooks.ulib.csuohio.edu\/charles-chesnutt\/wp-json\/pressbooks\/v2\/chapters\/212\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/pressbooks.ulib.csuohio.edu\/charles-chesnutt\/wp-json\/wp\/v2\/media?parent=212"}],"wp:term":[{"taxonomy":"chapter-type","embeddable":true,"href":"https:\/\/pressbooks.ulib.csuohio.edu\/charles-chesnutt\/wp-json\/pressbooks\/v2\/chapter-type?post=212"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/pressbooks.ulib.csuohio.edu\/charles-chesnutt\/wp-json\/wp\/v2\/contributor?post=212"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/pressbooks.ulib.csuohio.edu\/charles-chesnutt\/wp-json\/wp\/v2\/license?post=212"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}