{"id":6,"date":"2018-05-03T12:44:24","date_gmt":"2018-05-03T12:44:24","guid":{"rendered":"https:\/\/pressbooks.ulib.csuohio.edu\/calligraphy\/2018\/05\/03\/appendix\/"},"modified":"2019-01-10T12:58:49","modified_gmt":"2019-01-10T12:58:49","slug":"appendix","status":"publish","type":"back-matter","link":"https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/back-matter\/appendix\/","title":{"rendered":"Appendix"},"content":{"raw":"

References and Suggested Reading<\/strong><\/p>\r\n

Chang, L. L. Y., & Miller, P. (1990).\u00a0<\/span>Four Thousand Years of Chinese Calligraphy<\/i>. Chicago: University of Chicago Press.<\/p>\r\nChiang, Y. (1973).\u00a0<\/span>Chinese calligraphy: An introduction to its aesthetic and technique<\/i>\u00a0(Vol. 60). Harvard University Press.<\/span>\r\n\r\nEmbree, A. T., & Gluck, C. (2015).\u00a0<\/span>Asia in Western and World History: A Guide for Teaching<\/i>. Routledge.<\/span>\r\n

Fong, W. C. (1999). Chinese Calligraphy: Theory and History. In\u00a0R. E. Harrist Jr., and W. C. Fong (Eds.),\u00a0The Embodied Image: Chinese Calligraphy from the John B. Elliott Collection <\/em>(pp. 29\u201384). Princeton, NJ: Art Museum.<\/p>\r\n

Fu, S. (1977).\u00a0<\/span>Traces of the brush: Studies in Chinese calligraphy<\/i>. Yale University Art Gallery.<\/span><\/p>\r\nLi, W. (2009).\u00a0<\/span>Chinese writing and calligraphy<\/i>. University of Hawai'i Press.<\/span>\r\n

Ouyang Z. (2008).\u00a0Chinese<\/em>\u00a0Calligraphy<\/em>. Translated and edited by Wang Youfen. New Haven, CT: Yale University Press.<\/p>\r\n

Sturman, P. (1998). Calligraphy. In S. Lee (Ed.),\u00a0China, 5000 Years: Innovation and transformation in the arts <\/i>(pp. 159-170). New York City, NY: Solomon R Guggenheim Museum.<\/p>\r\n

Tseng, Y. H., & Zeng, Y. (1993).\u00a0<\/span>A history of Chinese calligraphy<\/i>. Hong Kong: Chinese University Press<\/span>.<\/p>\r\n ","rendered":"

References and Suggested Reading<\/strong><\/p>\n

Chang, L. L. Y., & Miller, P. (1990).\u00a0Four Thousand Years of Chinese Calligraphy<\/i>. Chicago: University of Chicago Press.<\/p>\n

Chiang, Y. (1973).\u00a0Chinese calligraphy: An introduction to its aesthetic and technique<\/i>\u00a0(Vol. 60). Harvard University Press.<\/p>\n

Embree, A. T., & Gluck, C. (2015).\u00a0Asia in Western and World History: A Guide for Teaching<\/i>. Routledge.<\/p>\n

Fong, W. C. (1999). Chinese Calligraphy: Theory and History. In\u00a0R. E. Harrist Jr., and W. C. Fong (Eds.),\u00a0The Embodied Image: Chinese Calligraphy from the John B. Elliott Collection <\/em>(pp. 29\u201384). Princeton, NJ: Art Museum.<\/p>\n

Fu, S. (1977).\u00a0Traces of the brush: Studies in Chinese calligraphy<\/i>. Yale University Art Gallery.<\/p>\n

Li, W. (2009).\u00a0Chinese writing and calligraphy<\/i>. University of Hawai’i Press.<\/p>\n

Ouyang Z. (2008).\u00a0Chinese<\/em>\u00a0Calligraphy<\/em>. Translated and edited by Wang Youfen. New Haven, CT: Yale University Press.<\/p>\n

Sturman, P. (1998). Calligraphy. In S. Lee (Ed.),\u00a0China, 5000 Years: Innovation and transformation in the arts <\/i>(pp. 159-170). New York City, NY: Solomon R Guggenheim Museum.<\/p>\n

Tseng, Y. H., & Zeng, Y. (1993).\u00a0A history of Chinese calligraphy<\/i>. Hong Kong: Chinese University Press.<\/p>\n

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