{"id":91,"date":"2018-07-16T02:13:13","date_gmt":"2018-07-16T02:13:13","guid":{"rendered":"https:\/\/pressbooks.ulib.csuohio.edu\/calligraphy\/?post_type=chapter&#038;p=91"},"modified":"2019-01-10T12:29:30","modified_gmt":"2019-01-10T12:29:30","slug":"evolution-of-characters-tools-techniques","status":"publish","type":"chapter","link":"https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/chapter\/evolution-of-characters-tools-techniques\/","title":{"rendered":"The Evolution Of Chinese Characters, Calligraphy Writing Tools, And Writing Techniques"},"content":{"raw":"<div class=\"textbox\" style=\"text-align: center\"><em>This chapter will introduce the earliest forms of calligraphic writing and provide a beginner's \"toolbox\" of materials and basic strokes.<\/em><\/div>\r\n<h1 style=\"text-align: center\">Part I. Culture<\/h1>\r\n<h2 style=\"text-align: left\"><strong>1 Evolution of Chinese Characters: Oracle Bones (\u7532\u9aa8\u6587)<\/strong><\/h2>\r\n<p style=\"text-align: left\">\u7532\u9aa8\u6587\/ji\u01ce g\u016d w\u00e9n, or oracle bones, represent the earliest forms of Chinese writing (the middle to late <em>Shang<\/em>\u00a0Dynasty \u5546\/sh\u0101ng, 1,500-1,000 BC). Etched on turtle shells and animal bones (see Figure 1), this crudely written script was thought to have divine implications by <em>Shang<\/em>\u00a0rulers. Ever since, they have provided clues into the life and times of an era long considered mythological rather than historical. Their rudimentary characters resemble objects they represent. Thus, they are considered pictographs (\u8c61\u5f62\u5b57\/xi\u00e0ng x\u00edng z\u00ec).<\/p>\r\n\r\n<table class=\"no-lines\" style=\"border-collapse: collapse;width: 50.071%\" border=\"0\" align=\"center\">\r\n<tbody>\r\n<tr>\r\n<td style=\"width: 14.2548%\"><img src=\"https:\/\/pressbooks.ulib.csuohio.edu\/calligraphy\/wp-content\/uploads\/sites\/27\/2018\/05\/\u7532\u9aa8\u65871.jpg\" alt=\"\" width=\"133\" height=\"203\" class=\"wp-image-945 alignleft\" \/><\/td>\r\n<td style=\"width: 13.4717%\"><img src=\"https:\/\/pressbooks.ulib.csuohio.edu\/calligraphy\/wp-content\/uploads\/sites\/27\/2018\/05\/\u7532\u9aa8\u65872.jpg\" alt=\"\" width=\"180\" height=\"205\" class=\"wp-image-946 alignleft\" \/><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<i class=\"wp-caption-text\">Figure 1:\u00a0Script on turtle shell and ox bone<\/i>\r\n<div class=\"textbox textbox--learning-objectives\"><header class=\"textbox__header\">\r\n<h6 class=\"textbox__title\" style=\"text-align: center\"><span style=\"color: #ffffff\">Examples - Oracle Bone Script<\/span><\/h6>\r\n<\/header>\r\n<div class=\"textbox__content\">\r\n<table class=\"lines aligncenter\" style=\"border-collapse: collapse;width: 100%;height: 48px\" border=\"1\">\r\n<tbody>\r\n<tr style=\"height: 16px\">\r\n<td style=\"width: 17.8571%;height: 16px\"><strong>Pinyin<\/strong><\/td>\r\n<td style=\"width: 8.73017%;height: 16px\">m\u01ce<\/td>\r\n<td style=\"width: 9.3915%;height: 16px\">h\u01d4<\/td>\r\n<td style=\"width: 8.86239%;height: 16px\">sh\u012d<\/td>\r\n<td style=\"width: 9.65605%;height: 16px\">qu\u01cen<\/td>\r\n<td style=\"width: 9.78835%;height: 16px\">sh\u01d4<\/td>\r\n<td style=\"width: 9.29641%;height: 16px\">xi\u00e0ng<\/td>\r\n<\/tr>\r\n<tr style=\"height: 16px\">\r\n<td style=\"width: 17.8571%;height: 16px\"><strong>Modern Form<\/strong><\/td>\r\n<td style=\"width: 8.73017%;height: 16px\">\u9a6c\/\u99ac<\/td>\r\n<td style=\"width: 9.3915%;height: 16px\">\u864e<\/td>\r\n<td style=\"width: 8.86239%;height: 16px\">\u8c55<\/td>\r\n<td style=\"width: 9.65605%;height: 16px\">\u72ac<\/td>\r\n<td style=\"width: 9.78835%;height: 16px\">\u9f20<\/td>\r\n<td style=\"width: 9.29641%;height: 16px\">\u8c61<\/td>\r\n<\/tr>\r\n<tr style=\"height: 16px\">\r\n<td style=\"width: 17.8571%;height: 16px\"><strong>Meaning<\/strong><\/td>\r\n<td style=\"width: 8.73017%;height: 16px\">horse<\/td>\r\n<td style=\"width: 9.3915%;height: 16px\">tiger<\/td>\r\n<td style=\"width: 8.86239%;height: 16px\">swine<\/td>\r\n<td style=\"width: 9.65605%;height: 16px\">dog<\/td>\r\n<td style=\"width: 9.78835%;height: 16px\">rat<\/td>\r\n<td style=\"width: 9.29641%;height: 16px\">elephant<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/div>\r\n<\/div>\r\n<h2><strong>2 Writing Tools and Materials: \u6587\u623f\u56db\u5b9d\/\u6587\u623f\u56db\u5bf3\/w\u00e9n f\u00e1ng s\u00ec b\u0103o (The Four Treasures of Study)<\/strong><\/h2>\r\n<ul>\r\n \t<li>Brush (\u7b14\/\u7b46)<\/li>\r\n<\/ul>\r\nCalligraphers as well as artists use ink brushes known as \u7b14\/\u7b46\/b\u012d or \u6bdb\u7b14\/\u6bdb\u7b46\/m\u00e1o b\u012d,<em>\u00a0<\/em>a tool the Chinese invented around 300 BC. Along with an ink stone, \u781a\/\u786f\/y\u00e0n, an ink stick, \u58a8\/m\u00f2, and a certain type of rice paper, \u7eb8\/\u7d19\/zh\u012d,\u00a0known as \u5ba3\u7eb8\/\u5ba3\u7d19\/xu\u0101n zh\u012d, they form the essential building blocks of calligraphy.\r\n\r\nPrimitive brushes featured bamboo that enabled hair to be bound to a wooden stalk.\u00a0Since then brushes have had multiple, versatile uses, with stalks composed of jade, gold, and silver.\r\n\r\nCommon or normal brushes are made of three types of hair. The first type is the hair of a goat, called \u7f8a\u6beb\/y\u00e1ng h\u00e1o, soft and better suiting for running-script writing; the second is of a weasel, \u72fc\u6beb\/l\u00e1ng h\u00e1o, resilient and better for writing of regular and cursive styles; and the third type is of mixture of both hair types, \u517c\u6beb\/ji\u0101n h\u00e1o. Hair from a pig, a mouse, and a rabbit is also used. Regardless of style, they can be soft, mixed or hard, in big, medium or short sizes, depending on application.\r\n\r\n<em>P.E.R.R.<\/em> Criteria for recognizing and maintaining a brush-tuft: \u5c16\u9f50\u5706\u5065\/\u5c16\u9f4a\u5713\u5065\/ji\u0101n\u00a0q\u00ed yu\u00e1n\u00a0ji\u00e0n, P(ointy), E(ven), R(ound),\u00a0&amp; R(esilient)\r\n<table class=\"no-lines\" style=\"border-collapse: collapse;width: 54.7686%\" border=\"0\" align=\"center\">\r\n<tbody>\r\n<tr>\r\n<td style=\"width: 11.2347%\"><img src=\"https:\/\/pressbooks.ulib.csuohio.edu\/calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/IMG_2637-1.jpg\" alt=\"\" width=\"64\" height=\"140\" class=\"wp-image-1014 alignleft\" \/><\/td>\r\n<td style=\"width: 16.4918%\"><img src=\"https:\/\/pressbooks.ulib.csuohio.edu\/calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/IMG_2640.jpg\" alt=\"\" width=\"100\" height=\"142\" class=\"wp-image-1011 alignleft\" \/><\/td>\r\n<td style=\"width: 8.33942%\"><img src=\"https:\/\/pressbooks.ulib.csuohio.edu\/calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/yuan.jpg\" alt=\"\" width=\"55\" height=\"141\" class=\"wp-image-1015 alignleft\" \/><\/td>\r\n<td style=\"width: 13.9436%\"><img src=\"https:\/\/pressbooks.ulib.csuohio.edu\/calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/IMG_2642.jpg\" alt=\"\" width=\"83\" height=\"139\" class=\"wp-image-1012 alignleft\" \/><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<i class=\"wp-caption-text\">Figure 2: P.E.R.R. Criteria for a good brush<\/i>\r\n<ul>\r\n \t<li>Ink Stick (\u58a8)<\/li>\r\n<\/ul>\r\nAlthough meaning ink, \u58a8\/m\u00f2 traditionally refers to ink sticks. Ink sticks are typically made of soot and glue. When the stick is ground against a stone ink appears, \u781a\/\u786f\/y\u00e0n (see ink stone below). Once water is added, one can begin applying ink to brush.\u00a0<span>Serious calligraphers and painters prefer high-quality ink stones as they think the stone itself has a great deal to do with the quality and texture of the ink that is ground upon it. Four types of most treasured ink stones include Duan Yan (\u7aef\u781a\/\u7aef\u786f), She Yan (\u7572\u781a\/\u7572\u786f), Taohe Yan (\u6d2e\u6cb3\u781a\/\u6d2e\u6cb3\u786f), and Chengni Yan (\u6f84\u6ce5\u781a\/\u6f84\u6ce5\u786f).<\/span>\r\n<ul>\r\n \t<li>\u00a0Paper (\u7eb8\/\u7d19)<\/li>\r\n<\/ul>\r\nRice paper, \u5ba3\u7eb8\/\u5ba3\u7d19\/xu\u0101n zh\u012d, is made of blue sandalwood bark and rice straw. It is known for its fine, soft texture \u2013 features favored by calligraphers and painters. \u5ba3 in the name \u5ba3\u7eb8\/\u5ba3\u7d19 refers to \u5ba3\u5dde (a city in Anhui Province) which is famous for rice-paper manufacturing. Compared with regular paper, rice paper is more absorbent and resistant to wrinkles.\r\n<ul>\r\n \t<li>\u00a0Ink Stone (\u781a\/\u786f)<\/li>\r\n<\/ul>\r\n\u781a\/\u786f refers to a mortar of stone that calligraphers and painters have used for centuries to grind and hold ink.\u00a0<span>In addition to stone, ink stones are also manufactured from clay, bronze, iron, and porcelain.<\/span> Having evolved from a device that individuals used to create dyes, the ink stone probably dates to the 3rd Century BC.\r\n<ul>\r\n \t<li>\u00a0Seal (\u5370)<\/li>\r\n<\/ul>\r\nKnown as \u5370\/y\u00ecn or \u5370\u7ae0\/y\u00ecn zh\u0101ng, a seal\u00a0<span>is a general name for printing\u00a0<\/span>stamps<span>\u00a0which are used in lieu of, or together with,\u00a0<\/span>signatures<span>\u00a0in personal documents, office paperwork, artwork, or any item requiring the indication of authorship or ownership.<\/span>\u00a0<span>Chinese seals are typically made of\u00a0<\/span>stone (for common users), jade (for emperors and high-ranking officials in the past)<span>, or other materials. Seals<\/span><span>\u00a0are used with red\u00a0<\/span>ink<span>\u00a0or\u00a0<\/span>cinnabar<span>\u00a0paste.\u00a0<\/span>One fascinating aspect of a seal is that each is unique and often reflects the owner\u2019s personality. One can see a seal\u2019s distinctive red ink on traditional paintings throughout China and elsewhere in Asia.\r\n\r\nIn addition to these Four Treasures, a calligrapher should have other tools. These include, but are not limited to, a desk pad (\u6bdb\u6be1\/m\u00e1o zh\u0101n), a paperweight (\u9547\u7eb8\/\u93ad\u7d19\/zh\u00e8n zh\u012d), a brush hanger (\u7b14\u6302\/\u7b46\u639b\/b\u012d gu\u00e0), and a seal ink-pad (\u5370\u6ce5\/y\u00ecn n\u00ed).\r\n<h3 class=\"section-break-space\">*<\/h3>\r\n<h1 style=\"text-align: center\">Part II. Calligraphy Writing<\/h1>\r\n<h2>1 Writing Techniques:\u00a0\u8d77\u7b14\/\u8d77\u7b46 and \u6536\u7b14\/\u6536\u7b46 Techniques<\/h2>\r\n\u8d77\u7b14\/\u8d77\u7b46\/q\u012d b\u012d refers to the method of starting a stroke, while \u6536\u7b14\/\u6536\u7b46\/sh\u014du b\u012d is the way to end a stroke. Beginning a stroke in calligraphy differs from regular writing. For example, the beginning of regular vertical, horizontal, and left falling strokes requires a backward start and then a change in expected direction. Likewise, the end of a series of strokes such as the vertical, horizontal, and even the left and right falling strokes sometimes requires a backward finish after the brush reaches the stroke end. This is also true in clerical script writing, where almost all strokes need a directionally opposite beginning or end to make the strokes look alike \u8695\u5934\u71d5\u5c3e\/\u8836\u982d\u71d5\u5c3e\/c\u00e1n t\u00f3u y\u00e0n w\u0115i (see Chapter 5 for more details).\r\n<h2>2 Strokes That Compose Characters<\/h2>\r\n<h4>2.1 Left Falling (\u6487)<\/h4>\r\nThe left falling stroke (\u6487\/pi\u011b) always starts at the top right and angles to bottom left as the brush leaves the paper. See the directional arrows in the outlined long and short left-falling strokes.\r\n<table class=\"no-lines\" style=\"border-collapse: collapse;width: 73.5763%\" border=\"0\" align=\"center\">\r\n<tbody>\r\n<tr>\r\n<td style=\"width: 19.3052%\"><img src=\"https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/1.jpg\" alt=\"\" width=\"72\" height=\"92\" class=\"size-full wp-image-1371 alignleft\" \/><\/td>\r\n<td style=\"width: 19.9886%\"><img src=\"https:\/\/pressbooks.ulib.csuohio.edu\/calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/\u6487\u591a\u79cd-Copy.jpg\" alt=\"\" width=\"82\" height=\"98\" class=\"wp-image-1016 alignleft\" \/><\/td>\r\n<td style=\"width: 18.1663%\"><img src=\"https:\/\/pressbooks.ulib.csuohio.edu\/calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/qibi-3.jpg\" alt=\"\" width=\"74\" height=\"68\" class=\"size-full wp-image-1017 alignleft\" \/><\/td>\r\n<td style=\"width: 16.1162%\"><img src=\"https:\/\/pressbooks.ulib.csuohio.edu\/calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/qibi-3-1.jpg\" alt=\"\" width=\"82\" height=\"69\" class=\"size-full wp-image-1018 alignleft\" \/><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<i class=\"wp-caption-text\">Figure 3: Long and short left-falling strokes and writing directions<\/i>\r\n<h3 class=\"section-break-space\">*<\/h3>\r\n<h4>2.2 Right Falling (\u637a)<\/h4>\r\nThe right falling diagonal stroke (\u637a\/n\u00e0) always starts at the top left and angles to bottom right as the brush leaves the paper.\u00a0See the directional arrows in the outlined diagonal and flat strokes.\r\n<table class=\"no-lines\" style=\"border-collapse: collapse;width: 50%\" border=\"0\" align=\"center\">\r\n<tbody>\r\n<tr>\r\n<td style=\"width: 24.6014%\"><img src=\"https:\/\/pressbooks.ulib.csuohio.edu\/calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/\u5e73\u637a-Copy-300x144.jpg\" alt=\"\" width=\"163\" height=\"78\" class=\"wp-image-133 alignleft\" \/><\/td>\r\n<td style=\"width: 20.2731%\"><img src=\"https:\/\/pressbooks.ulib.csuohio.edu\/calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/\u5e73\u637a-300x137.jpg\" alt=\"\" width=\"155\" height=\"71\" class=\"wp-image-134 alignnone\" \/><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<i class=\"wp-caption-text\">Figure 4: Diagonal right-falling strokes and flat right-falling strokes<\/i>\r\n<h2>3\u00a0Composing Characters<\/h2>\r\n<h4>3.1 Stroke Order<\/h4>\r\n<a href=\"http:\/\/www.archchinese.com\/arch_about.html\">Arch Chinese<\/a> lists 12 rules of Chinese character writing order. Below are Rules 4 -6:\r\n<ul style=\"list-style-type: none\">\r\n \t<li><i>Rule 4:\u00a0Cutting strokes last (e.g., \u5e72 and\u725b)<\/i><\/li>\r\n \t<li><i>Rule 5:\u00a0Diagonals right-to-left before diagonals left-to-right (e.g., \u4eba, \u5929, and \u6728)<\/i><\/li>\r\n \t<li><i>Rule 6:\u00a0Center verticals before outside \"wings\"\u00a0(e.g., \u6728 and \u5c0f)<\/i><\/li>\r\n<\/ul>\r\nFor details, visit the Arch Chinese website.\u00a0<a href=\"https:\/\/www.yellowbridge.com\/chinese\/charsearch.php?zi=%E5%9C%8B\">Yellowbrigde Online Dictionary<\/a> can also provide additional information. Please note that the actual stoke order in calligraphy is sometimes different from that in regular writing. These rules only guide a practitioner. We cannot count on rules to dictate the exact stroke order for all specific characters. When in doubt, refer to dictionaries.\r\n<h4>3.2 Characters<\/h4>\r\n\u4eba\/r\u00e9n\/human being; person, \u725b\/ni\u00fa\/cow; ox, \u8d70\/z\u014fu\/to walk; to leave, \u6728\/m\u00f9\/wood; tree\r\n<h4 class=\"&quot;page-break-before\">3.3 Writing Samples<\/h4>\r\n<table class=\"no-lines\" style=\"border-collapse: collapse;width: 100%\" border=\"0\" align=\"center\">\r\n<tbody>\r\n<tr>\r\n<td style=\"width: 25%;text-align: center\"><img src=\"https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/\u56fe\u724710-1-e1534744389992.png\" alt=\"\" width=\"130\" height=\"130\" class=\"alignnone size-full wp-image-1205\" \/><\/td>\r\n<td style=\"width: 25%;text-align: center\"><img src=\"https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/\u56fe\u72477-1-e1534744417272.png\" alt=\"\" width=\"130\" height=\"130\" class=\"alignnone size-full wp-image-1206\" \/><\/td>\r\n<td style=\"width: 25%;text-align: center\"><img src=\"https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/\u56fe\u72478-1-e1534744438261.png\" alt=\"\" width=\"130\" height=\"135\" class=\"alignnone size-full wp-image-1207\" \/><\/td>\r\n<td style=\"width: 25%;text-align: center\"><img src=\"https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/\u56fe\u72479-1-e1534744526369.png\" alt=\"\" width=\"130\" height=\"130\" class=\"alignnone size-full wp-image-1208\" \/><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<h4>3.4 Writing by Following Rules<\/h4>\r\n<ul>\r\n \t<li>Prepare the tools and materials.<\/li>\r\n \t<li>Start to write under instruction.<\/li>\r\n \t<li>Be aware of rules for posture and stroke order.<\/li>\r\n<\/ul>\r\n<h3 class=\"section-break-space\">*<\/h3>\r\n<h2>4 Homework<\/h2>\r\nWrite \u4e95\/j\u012dng\/well, \u672c\/b\u0115n \/fundamental; measure word for books, \u5929\/ti\u0101n\/sky; day, and \u4ec1\/r\u00e9n\/benevolent; benevolence.\r\n<table class=\"no-lines\" style=\"border-collapse: collapse;width: 100%\" border=\"0\" align=\"center\">\r\n<tbody>\r\n<tr>\r\n<td style=\"width: 25%;text-align: center\"><img src=\"https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/\u56fe\u724711-1-e1534744640608.png\" alt=\"\" width=\"130\" height=\"130\" class=\"alignnone size-full wp-image-1209\" \/><\/td>\r\n<td style=\"width: 25%;text-align: center\"><img src=\"https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/\u56fe\u724715-1-e1534744666241.png\" alt=\"\" width=\"130\" height=\"130\" class=\"alignnone size-full wp-image-1210\" \/><\/td>\r\n<td style=\"width: 25%;text-align: center\"><img src=\"https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/\u56fe\u724716-1-e1534744691178.png\" alt=\"\" width=\"130\" height=\"130\" class=\"alignnone size-full wp-image-1211\" \/><\/td>\r\n<td style=\"width: 25%;text-align: center\"><img src=\"https:\/\/pressbooks.ulib.csuohio.edu\/calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/ben.png\" alt=\"\" width=\"130\" height=\"130\" class=\"alignnone size-full wp-image-1087\" \/><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<h1 class=\"page-break-before\" style=\"text-align: center\">Part III. Additional Resources<\/h1>\r\n<ol>\r\n \t<li>Additional readings: <a href=\"http:\/\/www.chinaonlinemuseum.com\/\">http:\/\/www.chinaonlinemuseum.com\/<\/a><\/li>\r\n \t<li>The story of a Chinese character: \u6728 <a href=\"https:\/\/www.youtube.com\/watch?v=kUZMQBNhSTo\">https:\/\/www.youtube.com\/watch?v=kUZMQBNhSTo<\/a><\/li>\r\n \t<li>The story of a Chinese character: \u5929<a href=\"https:\/\/www.youtube.com\/watch?v=z2Q6VMJ1I2E\">https:\/\/www.youtube.com\/watch?v=z2Q6VMJ1I2E<\/a><\/li>\r\n \t<li>The story of a Chinese character: \u4eba<a href=\"https:\/\/www.youtube.com\/watch?v=zdIj9N2313w\">https:\/\/www.youtube.com\/watch?v=zdIj9N2313w<\/a><\/li>\r\n<\/ol>","rendered":"<div class=\"textbox\" style=\"text-align: center\"><em>This chapter will introduce the earliest forms of calligraphic writing and provide a beginner&#8217;s &#8220;toolbox&#8221; of materials and basic strokes.<\/em><\/div>\n<h1 style=\"text-align: center\">Part I. Culture<\/h1>\n<h2 style=\"text-align: left\"><strong>1 Evolution of Chinese Characters: Oracle Bones (\u7532\u9aa8\u6587)<\/strong><\/h2>\n<p style=\"text-align: left\">\u7532\u9aa8\u6587\/ji\u01ce g\u016d w\u00e9n, or oracle bones, represent the earliest forms of Chinese writing (the middle to late <em>Shang<\/em>\u00a0Dynasty \u5546\/sh\u0101ng, 1,500-1,000 BC). Etched on turtle shells and animal bones (see Figure 1), this crudely written script was thought to have divine implications by <em>Shang<\/em>\u00a0rulers. Ever since, they have provided clues into the life and times of an era long considered mythological rather than historical. Their rudimentary characters resemble objects they represent. Thus, they are considered pictographs (\u8c61\u5f62\u5b57\/xi\u00e0ng x\u00edng z\u00ec).<\/p>\n<table class=\"no-lines\" style=\"border-collapse: collapse;width: 50.071%; margin: auto;\">\n<tbody>\n<tr>\n<td style=\"width: 14.2548%\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pressbooks.ulib.csuohio.edu\/calligraphy\/wp-content\/uploads\/sites\/27\/2018\/05\/\u7532\u9aa8\u65871.jpg\" alt=\"\" width=\"133\" height=\"203\" class=\"wp-image-945 alignleft\" \/><\/td>\n<td style=\"width: 13.4717%\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pressbooks.ulib.csuohio.edu\/calligraphy\/wp-content\/uploads\/sites\/27\/2018\/05\/\u7532\u9aa8\u65872.jpg\" alt=\"\" width=\"180\" height=\"205\" class=\"wp-image-946 alignleft\" srcset=\"https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/05\/\u7532\u9aa8\u65872.jpg 674w, https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/05\/\u7532\u9aa8\u65872-264x300.jpg 264w, https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/05\/\u7532\u9aa8\u65872-65x74.jpg 65w, https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/05\/\u7532\u9aa8\u65872-225x256.jpg 225w, https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/05\/\u7532\u9aa8\u65872-350x398.jpg 350w\" sizes=\"auto, (max-width: 180px) 100vw, 180px\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><i class=\"wp-caption-text\">Figure 1:\u00a0Script on turtle shell and ox bone<\/i><\/p>\n<div class=\"textbox textbox--learning-objectives\">\n<header class=\"textbox__header\">\n<h6 class=\"textbox__title\" style=\"text-align: center\"><span style=\"color: #ffffff\">Examples &#8211; Oracle Bone Script<\/span><\/h6>\n<\/header>\n<div class=\"textbox__content\">\n<table class=\"lines aligncenter\" style=\"border-collapse: collapse;width: 100%;height: 48px\">\n<tbody>\n<tr style=\"height: 16px\">\n<td style=\"width: 17.8571%;height: 16px\"><strong>Pinyin<\/strong><\/td>\n<td style=\"width: 8.73017%;height: 16px\">m\u01ce<\/td>\n<td style=\"width: 9.3915%;height: 16px\">h\u01d4<\/td>\n<td style=\"width: 8.86239%;height: 16px\">sh\u012d<\/td>\n<td style=\"width: 9.65605%;height: 16px\">qu\u01cen<\/td>\n<td style=\"width: 9.78835%;height: 16px\">sh\u01d4<\/td>\n<td style=\"width: 9.29641%;height: 16px\">xi\u00e0ng<\/td>\n<\/tr>\n<tr style=\"height: 16px\">\n<td style=\"width: 17.8571%;height: 16px\"><strong>Modern Form<\/strong><\/td>\n<td style=\"width: 8.73017%;height: 16px\">\u9a6c\/\u99ac<\/td>\n<td style=\"width: 9.3915%;height: 16px\">\u864e<\/td>\n<td style=\"width: 8.86239%;height: 16px\">\u8c55<\/td>\n<td style=\"width: 9.65605%;height: 16px\">\u72ac<\/td>\n<td style=\"width: 9.78835%;height: 16px\">\u9f20<\/td>\n<td style=\"width: 9.29641%;height: 16px\">\u8c61<\/td>\n<\/tr>\n<tr style=\"height: 16px\">\n<td style=\"width: 17.8571%;height: 16px\"><strong>Meaning<\/strong><\/td>\n<td style=\"width: 8.73017%;height: 16px\">horse<\/td>\n<td style=\"width: 9.3915%;height: 16px\">tiger<\/td>\n<td style=\"width: 8.86239%;height: 16px\">swine<\/td>\n<td style=\"width: 9.65605%;height: 16px\">dog<\/td>\n<td style=\"width: 9.78835%;height: 16px\">rat<\/td>\n<td style=\"width: 9.29641%;height: 16px\">elephant<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>\n<h2><strong>2 Writing Tools and Materials: \u6587\u623f\u56db\u5b9d\/\u6587\u623f\u56db\u5bf3\/w\u00e9n f\u00e1ng s\u00ec b\u0103o (The Four Treasures of Study)<\/strong><\/h2>\n<ul>\n<li>Brush (\u7b14\/\u7b46)<\/li>\n<\/ul>\n<p>Calligraphers as well as artists use ink brushes known as \u7b14\/\u7b46\/b\u012d or \u6bdb\u7b14\/\u6bdb\u7b46\/m\u00e1o b\u012d,<em>\u00a0<\/em>a tool the Chinese invented around 300 BC. Along with an ink stone, \u781a\/\u786f\/y\u00e0n, an ink stick, \u58a8\/m\u00f2, and a certain type of rice paper, \u7eb8\/\u7d19\/zh\u012d,\u00a0known as \u5ba3\u7eb8\/\u5ba3\u7d19\/xu\u0101n zh\u012d, they form the essential building blocks of calligraphy.<\/p>\n<p>Primitive brushes featured bamboo that enabled hair to be bound to a wooden stalk.\u00a0Since then brushes have had multiple, versatile uses, with stalks composed of jade, gold, and silver.<\/p>\n<p>Common or normal brushes are made of three types of hair. The first type is the hair of a goat, called \u7f8a\u6beb\/y\u00e1ng h\u00e1o, soft and better suiting for running-script writing; the second is of a weasel, \u72fc\u6beb\/l\u00e1ng h\u00e1o, resilient and better for writing of regular and cursive styles; and the third type is of mixture of both hair types, \u517c\u6beb\/ji\u0101n h\u00e1o. Hair from a pig, a mouse, and a rabbit is also used. Regardless of style, they can be soft, mixed or hard, in big, medium or short sizes, depending on application.<\/p>\n<p><em>P.E.R.R.<\/em> Criteria for recognizing and maintaining a brush-tuft: \u5c16\u9f50\u5706\u5065\/\u5c16\u9f4a\u5713\u5065\/ji\u0101n\u00a0q\u00ed yu\u00e1n\u00a0ji\u00e0n, P(ointy), E(ven), R(ound),\u00a0&amp; R(esilient)<\/p>\n<table class=\"no-lines\" style=\"border-collapse: collapse;width: 54.7686%; margin: auto;\">\n<tbody>\n<tr>\n<td style=\"width: 11.2347%\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pressbooks.ulib.csuohio.edu\/calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/IMG_2637-1.jpg\" alt=\"\" width=\"64\" height=\"140\" class=\"wp-image-1014 alignleft\" srcset=\"https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/IMG_2637-1.jpg 1375w, https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/IMG_2637-1-137x300.jpg 137w, https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/IMG_2637-1-768x1685.jpg 768w, https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/IMG_2637-1-467x1024.jpg 467w, https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/IMG_2637-1-65x143.jpg 65w, https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/IMG_2637-1-225x494.jpg 225w, https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/IMG_2637-1-350x768.jpg 350w\" sizes=\"auto, (max-width: 64px) 100vw, 64px\" \/><\/td>\n<td style=\"width: 16.4918%\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pressbooks.ulib.csuohio.edu\/calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/IMG_2640.jpg\" alt=\"\" width=\"100\" height=\"142\" class=\"wp-image-1011 alignleft\" srcset=\"https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/IMG_2640.jpg 1809w, https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/IMG_2640-212x300.jpg 212w, https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/IMG_2640-768x1086.jpg 768w, https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/IMG_2640-724x1024.jpg 724w, https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/IMG_2640-65x92.jpg 65w, https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/IMG_2640-225x318.jpg 225w, https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/IMG_2640-350x495.jpg 350w\" sizes=\"auto, (max-width: 100px) 100vw, 100px\" \/><\/td>\n<td style=\"width: 8.33942%\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pressbooks.ulib.csuohio.edu\/calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/yuan.jpg\" alt=\"\" width=\"55\" height=\"141\" class=\"wp-image-1015 alignleft\" srcset=\"https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/yuan.jpg 111w, https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/yuan-65x166.jpg 65w\" sizes=\"auto, (max-width: 55px) 100vw, 55px\" \/><\/td>\n<td style=\"width: 13.9436%\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pressbooks.ulib.csuohio.edu\/calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/IMG_2642.jpg\" alt=\"\" width=\"83\" height=\"139\" class=\"wp-image-1012 alignleft\" srcset=\"https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/IMG_2642.jpg 1081w, https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/IMG_2642-178x300.jpg 178w, https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/IMG_2642-768x1297.jpg 768w, https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/IMG_2642-607x1024.jpg 607w, https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/IMG_2642-65x110.jpg 65w, https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/IMG_2642-225x380.jpg 225w, https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/IMG_2642-350x591.jpg 350w\" sizes=\"auto, (max-width: 83px) 100vw, 83px\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><i class=\"wp-caption-text\">Figure 2: P.E.R.R. Criteria for a good brush<\/i><\/p>\n<ul>\n<li>Ink Stick (\u58a8)<\/li>\n<\/ul>\n<p>Although meaning ink, \u58a8\/m\u00f2 traditionally refers to ink sticks. Ink sticks are typically made of soot and glue. When the stick is ground against a stone ink appears, \u781a\/\u786f\/y\u00e0n (see ink stone below). Once water is added, one can begin applying ink to brush.\u00a0Serious calligraphers and painters prefer high-quality ink stones as they think the stone itself has a great deal to do with the quality and texture of the ink that is ground upon it. Four types of most treasured ink stones include Duan Yan (\u7aef\u781a\/\u7aef\u786f), She Yan (\u7572\u781a\/\u7572\u786f), Taohe Yan (\u6d2e\u6cb3\u781a\/\u6d2e\u6cb3\u786f), and Chengni Yan (\u6f84\u6ce5\u781a\/\u6f84\u6ce5\u786f).<\/p>\n<ul>\n<li>\u00a0Paper (\u7eb8\/\u7d19)<\/li>\n<\/ul>\n<p>Rice paper, \u5ba3\u7eb8\/\u5ba3\u7d19\/xu\u0101n zh\u012d, is made of blue sandalwood bark and rice straw. It is known for its fine, soft texture \u2013 features favored by calligraphers and painters. \u5ba3 in the name \u5ba3\u7eb8\/\u5ba3\u7d19 refers to \u5ba3\u5dde (a city in Anhui Province) which is famous for rice-paper manufacturing. Compared with regular paper, rice paper is more absorbent and resistant to wrinkles.<\/p>\n<ul>\n<li>\u00a0Ink Stone (\u781a\/\u786f)<\/li>\n<\/ul>\n<p>\u781a\/\u786f refers to a mortar of stone that calligraphers and painters have used for centuries to grind and hold ink.\u00a0In addition to stone, ink stones are also manufactured from clay, bronze, iron, and porcelain. Having evolved from a device that individuals used to create dyes, the ink stone probably dates to the 3rd Century BC.<\/p>\n<ul>\n<li>\u00a0Seal (\u5370)<\/li>\n<\/ul>\n<p>Known as \u5370\/y\u00ecn or \u5370\u7ae0\/y\u00ecn zh\u0101ng, a seal\u00a0is a general name for printing\u00a0stamps\u00a0which are used in lieu of, or together with,\u00a0signatures\u00a0in personal documents, office paperwork, artwork, or any item requiring the indication of authorship or ownership.\u00a0Chinese seals are typically made of\u00a0stone (for common users), jade (for emperors and high-ranking officials in the past), or other materials. Seals\u00a0are used with red\u00a0ink\u00a0or\u00a0cinnabar\u00a0paste.\u00a0One fascinating aspect of a seal is that each is unique and often reflects the owner\u2019s personality. One can see a seal\u2019s distinctive red ink on traditional paintings throughout China and elsewhere in Asia.<\/p>\n<p>In addition to these Four Treasures, a calligrapher should have other tools. These include, but are not limited to, a desk pad (\u6bdb\u6be1\/m\u00e1o zh\u0101n), a paperweight (\u9547\u7eb8\/\u93ad\u7d19\/zh\u00e8n zh\u012d), a brush hanger (\u7b14\u6302\/\u7b46\u639b\/b\u012d gu\u00e0), and a seal ink-pad (\u5370\u6ce5\/y\u00ecn n\u00ed).<\/p>\n<h3 class=\"section-break-space\">*<\/h3>\n<h1 style=\"text-align: center\">Part II. Calligraphy Writing<\/h1>\n<h2>1 Writing Techniques:\u00a0\u8d77\u7b14\/\u8d77\u7b46 and \u6536\u7b14\/\u6536\u7b46 Techniques<\/h2>\n<p>\u8d77\u7b14\/\u8d77\u7b46\/q\u012d b\u012d refers to the method of starting a stroke, while \u6536\u7b14\/\u6536\u7b46\/sh\u014du b\u012d is the way to end a stroke. Beginning a stroke in calligraphy differs from regular writing. For example, the beginning of regular vertical, horizontal, and left falling strokes requires a backward start and then a change in expected direction. Likewise, the end of a series of strokes such as the vertical, horizontal, and even the left and right falling strokes sometimes requires a backward finish after the brush reaches the stroke end. This is also true in clerical script writing, where almost all strokes need a directionally opposite beginning or end to make the strokes look alike \u8695\u5934\u71d5\u5c3e\/\u8836\u982d\u71d5\u5c3e\/c\u00e1n t\u00f3u y\u00e0n w\u0115i (see Chapter 5 for more details).<\/p>\n<h2>2 Strokes That Compose Characters<\/h2>\n<h4>2.1 Left Falling (\u6487)<\/h4>\n<p>The left falling stroke (\u6487\/pi\u011b) always starts at the top right and angles to bottom left as the brush leaves the paper. See the directional arrows in the outlined long and short left-falling strokes.<\/p>\n<table class=\"no-lines\" style=\"border-collapse: collapse;width: 73.5763%; margin: auto;\">\n<tbody>\n<tr>\n<td style=\"width: 19.3052%\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/1.jpg\" alt=\"\" width=\"72\" height=\"92\" class=\"size-full wp-image-1371 alignleft\" srcset=\"https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/1.jpg 72w, https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/1-65x83.jpg 65w\" sizes=\"auto, (max-width: 72px) 100vw, 72px\" \/><\/td>\n<td style=\"width: 19.9886%\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pressbooks.ulib.csuohio.edu\/calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/\u6487\u591a\u79cd-Copy.jpg\" alt=\"\" width=\"82\" height=\"98\" class=\"wp-image-1016 alignleft\" srcset=\"https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/\u6487\u591a\u79cd-Copy.jpg 177w, https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/\u6487\u591a\u79cd-Copy-65x78.jpg 65w\" sizes=\"auto, (max-width: 82px) 100vw, 82px\" \/><\/td>\n<td style=\"width: 18.1663%\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pressbooks.ulib.csuohio.edu\/calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/qibi-3.jpg\" alt=\"\" width=\"74\" height=\"68\" class=\"size-full wp-image-1017 alignleft\" srcset=\"https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/qibi-3.jpg 74w, https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/qibi-3-65x60.jpg 65w\" sizes=\"auto, (max-width: 74px) 100vw, 74px\" \/><\/td>\n<td style=\"width: 16.1162%\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pressbooks.ulib.csuohio.edu\/calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/qibi-3-1.jpg\" alt=\"\" width=\"82\" height=\"69\" class=\"size-full wp-image-1018 alignleft\" srcset=\"https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/qibi-3-1.jpg 82w, https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/qibi-3-1-65x55.jpg 65w\" sizes=\"auto, (max-width: 82px) 100vw, 82px\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><i class=\"wp-caption-text\">Figure 3: Long and short left-falling strokes and writing directions<\/i><\/p>\n<h3 class=\"section-break-space\">*<\/h3>\n<h4>2.2 Right Falling (\u637a)<\/h4>\n<p>The right falling diagonal stroke (\u637a\/n\u00e0) always starts at the top left and angles to bottom right as the brush leaves the paper.\u00a0See the directional arrows in the outlined diagonal and flat strokes.<\/p>\n<table class=\"no-lines\" style=\"border-collapse: collapse;width: 50%; margin: auto;\">\n<tbody>\n<tr>\n<td style=\"width: 24.6014%\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pressbooks.ulib.csuohio.edu\/calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/\u5e73\u637a-Copy-300x144.jpg\" alt=\"\" width=\"163\" height=\"78\" class=\"wp-image-133 alignleft\" \/><\/td>\n<td style=\"width: 20.2731%\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pressbooks.ulib.csuohio.edu\/calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/\u5e73\u637a-300x137.jpg\" alt=\"\" width=\"155\" height=\"71\" class=\"wp-image-134 alignnone\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><i class=\"wp-caption-text\">Figure 4: Diagonal right-falling strokes and flat right-falling strokes<\/i><\/p>\n<h2>3\u00a0Composing Characters<\/h2>\n<h4>3.1 Stroke Order<\/h4>\n<p><a href=\"http:\/\/www.archchinese.com\/arch_about.html\">Arch Chinese<\/a> lists 12 rules of Chinese character writing order. Below are Rules 4 -6:<\/p>\n<ul style=\"list-style-type: none\">\n<li><i>Rule 4:\u00a0Cutting strokes last (e.g., \u5e72 and\u725b)<\/i><\/li>\n<li><i>Rule 5:\u00a0Diagonals right-to-left before diagonals left-to-right (e.g., \u4eba, \u5929, and \u6728)<\/i><\/li>\n<li><i>Rule 6:\u00a0Center verticals before outside &#8220;wings&#8221;\u00a0(e.g., \u6728 and \u5c0f)<\/i><\/li>\n<\/ul>\n<p>For details, visit the Arch Chinese website.\u00a0<a href=\"https:\/\/www.yellowbridge.com\/chinese\/charsearch.php?zi=%E5%9C%8B\">Yellowbrigde Online Dictionary<\/a> can also provide additional information. Please note that the actual stoke order in calligraphy is sometimes different from that in regular writing. These rules only guide a practitioner. We cannot count on rules to dictate the exact stroke order for all specific characters. When in doubt, refer to dictionaries.<\/p>\n<h4>3.2 Characters<\/h4>\n<p>\u4eba\/r\u00e9n\/human being; person, \u725b\/ni\u00fa\/cow; ox, \u8d70\/z\u014fu\/to walk; to leave, \u6728\/m\u00f9\/wood; tree<\/p>\n<h4 class=\"&quot;page-break-before\">3.3 Writing Samples<\/h4>\n<table class=\"no-lines\" style=\"border-collapse: collapse;width: 100%; margin: auto;\">\n<tbody>\n<tr>\n<td style=\"width: 25%;text-align: center\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/\u56fe\u724710-1-e1534744389992.png\" alt=\"\" width=\"130\" height=\"130\" class=\"alignnone size-full wp-image-1205\" \/><\/td>\n<td style=\"width: 25%;text-align: center\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/\u56fe\u72477-1-e1534744417272.png\" alt=\"\" width=\"130\" height=\"130\" class=\"alignnone size-full wp-image-1206\" \/><\/td>\n<td style=\"width: 25%;text-align: center\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/\u56fe\u72478-1-e1534744438261.png\" alt=\"\" width=\"130\" height=\"135\" class=\"alignnone size-full wp-image-1207\" \/><\/td>\n<td style=\"width: 25%;text-align: center\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/\u56fe\u72479-1-e1534744526369.png\" alt=\"\" width=\"130\" height=\"130\" class=\"alignnone size-full wp-image-1208\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h4>3.4 Writing by Following Rules<\/h4>\n<ul>\n<li>Prepare the tools and materials.<\/li>\n<li>Start to write under instruction.<\/li>\n<li>Be aware of rules for posture and stroke order.<\/li>\n<\/ul>\n<h3 class=\"section-break-space\">*<\/h3>\n<h2>4 Homework<\/h2>\n<p>Write \u4e95\/j\u012dng\/well, \u672c\/b\u0115n \/fundamental; measure word for books, \u5929\/ti\u0101n\/sky; day, and \u4ec1\/r\u00e9n\/benevolent; benevolence.<\/p>\n<table class=\"no-lines\" style=\"border-collapse: collapse;width: 100%; margin: auto;\">\n<tbody>\n<tr>\n<td style=\"width: 25%;text-align: center\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/\u56fe\u724711-1-e1534744640608.png\" alt=\"\" width=\"130\" height=\"130\" class=\"alignnone size-full wp-image-1209\" \/><\/td>\n<td style=\"width: 25%;text-align: center\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/\u56fe\u724715-1-e1534744666241.png\" alt=\"\" width=\"130\" height=\"130\" class=\"alignnone size-full wp-image-1210\" \/><\/td>\n<td style=\"width: 25%;text-align: center\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/\u56fe\u724716-1-e1534744691178.png\" alt=\"\" width=\"130\" height=\"130\" class=\"alignnone size-full wp-image-1211\" \/><\/td>\n<td style=\"width: 25%;text-align: center\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pressbooks.ulib.csuohio.edu\/calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/ben.png\" alt=\"\" width=\"130\" height=\"130\" class=\"alignnone size-full wp-image-1087\" srcset=\"https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/ben.png 130w, https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-content\/uploads\/sites\/27\/2018\/07\/ben-65x65.png 65w\" sizes=\"auto, (max-width: 130px) 100vw, 130px\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h1 class=\"page-break-before\" style=\"text-align: center\">Part III. Additional Resources<\/h1>\n<ol>\n<li>Additional readings: <a href=\"http:\/\/www.chinaonlinemuseum.com\/\">http:\/\/www.chinaonlinemuseum.com\/<\/a><\/li>\n<li>The story of a Chinese character: \u6728 <a href=\"https:\/\/www.youtube.com\/watch?v=kUZMQBNhSTo\">https:\/\/www.youtube.com\/watch?v=kUZMQBNhSTo<\/a><\/li>\n<li>The story of a Chinese character: \u5929<a href=\"https:\/\/www.youtube.com\/watch?v=z2Q6VMJ1I2E\">https:\/\/www.youtube.com\/watch?v=z2Q6VMJ1I2E<\/a><\/li>\n<li>The story of a Chinese character: \u4eba<a href=\"https:\/\/www.youtube.com\/watch?v=zdIj9N2313w\">https:\/\/www.youtube.com\/watch?v=zdIj9N2313w<\/a><\/li>\n<\/ol>\n","protected":false},"author":109,"menu_order":3,"template":"","meta":{"pb_show_title":"on","pb_short_title":"","pb_subtitle":"","pb_authors":[],"pb_section_license":""},"chapter-type":[47],"contributor":[],"license":[],"class_list":["post-91","chapter","type-chapter","status-publish","hentry","chapter-type-standard"],"part":3,"_links":{"self":[{"href":"https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-json\/pressbooks\/v2\/chapters\/91","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-json\/pressbooks\/v2\/chapters"}],"about":[{"href":"https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-json\/wp\/v2\/types\/chapter"}],"author":[{"embeddable":true,"href":"https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-json\/wp\/v2\/users\/109"}],"version-history":[{"count":107,"href":"https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-json\/pressbooks\/v2\/chapters\/91\/revisions"}],"predecessor-version":[{"id":1496,"href":"https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-json\/pressbooks\/v2\/chapters\/91\/revisions\/1496"}],"part":[{"href":"https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-json\/pressbooks\/v2\/parts\/3"}],"metadata":[{"href":"https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-json\/pressbooks\/v2\/chapters\/91\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-json\/wp\/v2\/media?parent=91"}],"wp:term":[{"taxonomy":"chapter-type","embeddable":true,"href":"https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-json\/pressbooks\/v2\/chapter-type?post=91"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-json\/wp\/v2\/contributor?post=91"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/pressbooks.ulib.csuohio.edu\/intro-to-chinese-calligraphy\/wp-json\/wp\/v2\/license?post=91"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}